C / 摄影机在宽广的物理空间中时而成为只会推拉的木讷监视器在相对狭窄的室内则闪转腾挪将幽默的动能分割、调动、聚焦、放大这种“目光”的分野在红白喜事的游弋串接中构造了全片最重要的落差感与节奏感可惜个人还是认为文本上试图呈现更广阔的的社会现实的尝试并没有恰如其分地融入其中摄影机只是机械地“囊括”而未将其“捕捉”
7 narratively a bit rush, more of a allegory. you do expect some major twists when the court scene ends so quickly, that makes the whole thing less engaging.